Original id:
1269
Start date:
16 July 1991
End date:
10 August 1991
Degree of relationship to ancient play:
Adaptation
Media of production:
Stage-play
Languages:
English
Script | Author(s) |
---|---|
Trojan Women | Euripides |
Women of Troy | Kenneth McLeish |
Person | Role | Notes |
---|---|---|
Paola Dionisotti | Actor | Hecuba |
Peter Ruthven Hall | Designer | |
Kristin Hewson | Actor | Helen of Troy / Lyssa |
Kathryn Hunter | Actor | Cassandra / Anarchia |
Ben Kivingstone | Musical Director | |
Katie Mitchell | Director | |
Emma Rice | Choreographer | |
Emma Rice | Actor | Myrtis / Chorus Leader |
William Urbanek | Producer |
Venue | Festival | Dates | Notes |
---|---|---|---|
Gate Theatre, Notting Hill (London, Greater London, England) | 15 July, 1991 to 9 August, 1991 |
Source | Format | Location if held at the APGRD | Pagination | |
---|---|---|---|---|
Women of Troy | Programme | archive | ||
Women of Troy (review draft 1) | Review | archive | ||
Women of Troy (review draft 2) | Review | archive | ||
Women of Troy (review draft 3) | Review | archive | ||
Postcard from Anna Vaux (TLS) to Oliver Taplin | Postcard | archive | ||
Oliver Taplin's notes on Women of Troy | Personal notes | archive | ||
Theorising Performance | Book | library | 172, 175-176 | R. Wyles, ' Towards Theorising the Place of Custom in Performance Reception' |
Women of Troy (1991), accessed at http://www.apgrd.ox.ac.uk/productions/production/1269 <15 October 2024>