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Rezeption des antiken Dramas: Medea becomes politically correct |
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Betine van Zyl Smit |
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Contemporary Witch: Dramatic Treatments of the Medea Myth |
1987 |
Betine van Zyl Smit |
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Rezeption des antiken Dramas auf der Bühne und in der Literatur |
2001 |
Bernhard Zimmermann, Achim Wolfgang Lenz, Andrea Ercolani, Andreas Bagordo, Horst-Dieter Blume, G. Vogt-Spira, Georgia Xanthakis-Karamanos, Martin Hose, Betine van Zyl Smit, Elina Miranda Cancela, Angela M. Andrisano, Alex Garvie, Boris Dunsch, Timothy J. Moore |
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Alma Parens Originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States, and Cuba |
2007 |
Anne Gosling, Anton van Hooff, Bernhard Kytzler, Betine van Zyl Smit, Elke Steinmeyer, Isabelle Torrance, Jan Bloemendal, John Hilton, John O. Ige, Lorna Hardwick, Marianne Dircksen, Michael Lambert, Nikolai Endres, William J. Dominik |
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Aristophanes in Performance, 421 BC-AD 2007: Peace, Birds and Frogs |
2007 |
Edith Hall, Amanda Wrigley, Ewen Bowie, Matthew Steggle, Rosie Wyles, Charalampos Orfanos, Phiroze Vasunia, Gonda A. H. Van Steen, Angeliki Varakis, Bernd Seidensticker, Mary-Kay Gamel, Betine van Zyl Smit, Malika Bastin-Hammou AKA Hammou, Martina Treu, Francesca Schironi, Sean O'Brien, Michael Silk, Vasiliki Giannopoulou |
