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Orchestra: Drama, Mythos, Bühne |
1994 |
Andreas Patzer, Anton Bierl, Barbara Breitenberger, Bernard Andreae, Charles Segal, Dieter Bremer, Eckard Lefèvre, Egert Pöhlmann, Erich Segal, Ernst Vogt, Filippo Amoroso, Glenn W. Most, Jean Bollack, Massimo Fusillo, Peter von Möllendorff, Renate Schlesier, Sabinee Vogt, Thomas Gelzer, Uvo Hölscher, Walter Burkert, Wilfried Stroh, Wolfgang Kullmann |
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Between the Belief in Political Progress and Poststructuralism: Concept and Social Context in the History of Modern Productions of the Oresteia |
1997 |
Anton Bierl |
|
Die Orestie des Aischylos auf der modernen Buhne |
1997 |
Anton Bierl |
|
Der Chor in der Alten Komödie: Ritual und Performativität |
2001 |
Anton Bierl |
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L'Orestea di Eschilo sulla Scena Moderna: Concezioni teoriche e realizzazioni sceniche |
2004 |
Anton Bierl |
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Agamemnon in Performance: 458 BC to AD 2004 |
2005 |
Fiona Macintosh, Pantelis Michelakis, Edith Hall, Oliver Taplin, Pat E. Easterling AKA Patricia, Inga-Stina Ewbank, Susanna Phillippo, Michael Ewans, Margaret Reynolds, Yopie Prins, J. Michael Walton, Lorna Hardwick, Massimo Fusillo, Dmitry Trubotshkin, Pierre Judet de la Combe, Anton Bierl, Helene Foley, Rush Rehm, Amanda Wrigley |
|
Antike Tragödie Heute |
2007 |
Erika Fischer-Lichte, Matthias Dreyer, Berndt Stegemann, Erika Fischer-Lichte, Matthias Dreyer, Susanne Godde, Oliver Taplin, Anton Bierl, Michael Jaeger, Edith Hall, Berndt Stegemann, Platon Mavromoustakos, Iko Freese, Christine Dossel, Franz Wille, Barbara Villiger-Heilig, Peter Laudenbach, Nina Hoss |
