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Person
Peter Hall
Related Content
Title | Role | Notes | Year | Companies |
---|---|---|---|---|
Mourning Becomes Electra (1955) | Director | 1955 | Arts Theatre Club | |
Troilus and Cressida (1960) | Director | 1960 | Royal Shakespeare Company (RSC) | |
Troilus and Cressida (1962) | Director | 1962 | Royal Shakespeare Company (RSC) | |
The Return of Ulysses (1973) | Director | 1973 | Glyndebourne Productions, London Philharmonic | |
The Oresteia (1981) | Director | 1981 | National Theatre (NT, London; aka Royal National Theatre) | |
The Gift of the Gorgon (1992) | Director | 1992 | Royal Shakespeare Company (RSC) | |
Lysistrata (1993) | Director | 1993 | Peter Hall Company | |
The Oedipus Plays (1996) | Director | 1996 | National Theatre (NT, London; aka Royal National Theatre) | |
Tantalus (2000) | Director | 2000 | Royal Shakespeare Company (RSC), Denver Center Theatre Company | |
Bacchai (2002) | Director | 2002 | National Theatre (NT, London; aka Royal National Theatre) |
Title | Year | Format |
---|---|---|
Letter from Peter Hall to Oonagh Lahr | Correspondence | |
Platform papers: The Oedipus Plays | Print-out | |
Play for today - by Euripides | Print-out | |
Review: Observer: Now here's a play with legs | Newspaper article | |
The Oedipus Plays: Oedipus The King, Oedipus at Colonus | Programme | |
The only way to keep a straight face | Newspaper cutting | |
Videotape of television programme - Michael Billington interviews Peter Hall | Videotape |