| Agamemnon in Performance: 458 BC to AD 2004 |
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Inga-Stina Ewbank, Susanna Phillippo, Dmitry Trubotshkin, Margaret Reynolds, Yopie Prins, Amanda Wrigley, Lorna Hardwick, Michael Ewans, Massimo Fusillo, Pantelis Michelakis, Helene Foley, Pat E. Easterling (1934-) AKA P. E. Easterling, Rush Rehm, Fiona Macintosh, Anton Bierl, Pierre Judet de la Combe, Edith Hall, Oliver Taplin, J. Michael Walton |
| Ancient Scripts and Modern Experience on the English Stage, 1500-1700 |
|
Bruce R. Smith |
| Dioniso: Annale della Fondazione INDA. Vol.1 (new series) |
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| Greek Tragedy and the British Theatre, 1660-1914 |
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Fiona Macintosh, Edith Hall |
| Illustrated Encyclopaedia of World Theatre |
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Martin Esslin (1918-2002) |
| International Theatrelog. Vol.5 (December 1978 - February 1979) |
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| Maskenspiele aus Basler Tradition, 1936-1974 |
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Karl Gotthilf Kachler |
| Performances of Greek and Roman Drama in New South Wales |
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Christopher Flynn |
| Sarah Bernhardt |
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E. S. G. Potter, G. G. Geller |
| Shakespeare and Classical Comedy: The Influence of Plautus and Terence |
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Robert S. Miola |
| Sophocles Revisited: Essays Presented to Sir Hugh Lloyd-Jones |
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Richard Stoneman, Leofranc Holford-Strevens, Netta Zagagi, Robert Fowler, Stephanie West, Gregory Hutchinson, Martin L. West, Malcolm Heath, Jasper Griffin, Bernard Knox, Pat E. Easterling (1934-) AKA P. E. Easterling, Edith Hall |
| The Nature of Roman Comedy. A Study in Popular Entertainment |
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George Eckel Duckworth, Richard Hunter |
| The School Drama in England |
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Vail Motter T. H |
| Théâtre / Public. Vols 70-71 (July-October 1986) |
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| Theatrikos Organismos Kyprou: 25 Chronia, 1971-1996 |
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| University Drama in the Tudor Age |
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Frederick S. Boas |