Artistic and Honorary associates

Artistic Associates

Suzana Ograjenšek

Suzana Ograjenšek is a former APGRD research assistant and co-editor (with Peter Brown) of Ancient Drama in Music for the Modern Stage (2010), and Life Member and former Research Fellow at Clare Hall, Cambridge. She graduated with a PhD from Cambridge University on the subject of Handel and London opera in the 1720s. Afterwards she embarked on a professional singing career, specializing in baroque performance. For the APGRD, her group La Falsirena performed the recital Ah, qual s’apre al mio cor tragica scena, featuring arias from eighteenth-century tragic operas by Handel, Gluck, Bioni, Leo, Feo and Traetta. Suzana’s recent singing engagements include Monteverdi’s L’incoronazione di Poppea with William Christie at Teatro Real in Madrid and L’Orfeo with Ivor Bolton at Theater an der Wien in Vienna. She is currently completing the edition of the first version of Il pastor fido for the Hallische Händel-Ausgabe. Further information can be found on Suzana's website.

Alice Oswald

Alice Oswald is an award-winning poet with an ever-growing reputation. She studied Classics at New College, and has in recent years increasingly visited Oxford and the APGRD. In 2012, she performed her poem Memorial, an ‘excavation of the Iliad’ for us, and she returned to the Archive in October 2016 to perform from her latest collection, Falling Awake and from unpublished work-in-progress.

 

 

 

Honorary Associates

Lorna Hardwick 

Lorna Hardwick is Professor Emerita at the Open University. Her publications in the field of classical reception include Translating Words, Translating Cultures (2000) and New Surveys in the Classics; Reception Studies (2003) as well as a number of articles on drama and poetry. She has a particular interest in the impact of various kinds of translation and adaptation on modern perceptions of Greece and Rome and in the reworking of classical material in post-colonial contexts. She is, with Professor Jim Porter (University of Michigan) the Series Editor for the new series Oxford Studies in Classical Receptions: Classical Presences and is co-editor, with Dr Chris Stray (University of Swansea) of the Blackwell Companion to Classical Receptions (2008) and, with Carol Gillespie, of Classics in Post-colonial Worlds. She is editor of the Oxford Classical Receptions Journal (CRJ) which was launched at the end of 2009.

Laura Monrós-Gaspar

Laura Monrós-Gaspar completed her thesis on the reception of the figure of Cassandra in Victorian England in 2009 (supervisors: Dr. Miguel Teruel and Prof. Carmen Morenilla, Universitat de València). In 2007 she was a visiting student at the APGRD under the supervision of Dr. Fiona Macintosh. Between 2008 and 2010 she was University Lecturer in English at the Universidad de Alicante in Spain. She now has a permanent Lectureship at the Universitat de València. In 2004 she became member of GRATUV (Grup de Recerca i Acció Teatral de la Universitat de València) directed by Prof. Carmen Morenilla, where she is now a Research Fellow. She is author of Cassandra the Fortune Teller: Prophets, Gipsies and Victorian Burlesque (Bari: Levante Editori, 2011).

Reinhard Strohm

Reinhard Strohm is the Heather Professor of Music at the University of Oxford, and a Fellow of the British Academy. His research interests include 18th-century Italian opera, particularly of Handel and his contemporaries (recent publications: Dramma per Musica: Italian Opera Seria of the Eighteenth Century, New Haven and London: Yale University Press, 1997. The Eighteenth-Century Diaspora of Italian Music and Musicians, ed. R. Strohm, Turnhout: Brepols, 2001); late-medieval music and its social context (publications: Music as Concept and Practice in the Late Middle Ages, ed. R. Strohm and Bonnie J. Blackburn, Oxford University Press, 2001); modernist/postmodernist debates in musical historiography (publications: 'Looking back at ourselves: the problem with the musical work-concept', in The Musical Work. Reality or Invention?, ed. M. Talbot, Liverpool University Press, 2000, 128-52. 'Collapsing the dialectic: the enlightenment tradition in music and its critics', in Musicology and its Sister Disciplines: Past, Present and Future (Proceedings of the 16th International Congress of the International Musicological Society, London, 1997), ed. D. Greer, Oxford University Press, 2000, 263-272. ‘Postmodern thought and the history of music: some intersections' - Revista Portuguesa de Musicologia 9 (1999), 7-24). Current projects include: Classicism, Ideology, Utopia in the 17th and 18th centuries; 18th-century music and social history (iconography, local history, opera singers and impresarios). Professor Strohm won the 2012 Balzan prize.

Dame Marina WarnerMarina Warner

Professor Dame Marina Warner, DBE, FBA, is a fellow of All Souls College, Oxford. She is a novelist, short story writer and historian known for her many non-fiction books relating to feminism and myth. She has written for publications including The London Review of Books, the New Statesman, and Vogue. She holds a Chair in English and Creative Writing at Birkbeck College and is chair of the judges of the Man Booker International Prize for 2015. Further information can found on Marina's website.

Yana Zarifi

Yana Zarifi (also known as Yana Sistovari) is the artistic director and co-founder of the international London-based theatre company Thiasos. She has explored eastern theatrical techniques, mainly dances that would allow a better understanding of the ritual character of Greek tragedy, especially of the function of the chorus. She has studied the functioning of the chorus in ceremonial contexts in Indonesia, India, Iran and Central Asia. She is Honorary Associate of Royal Holloway, University of London, and received a Getty Scholar Award for the 2006-2007 year to continue her research into Persian (Islamic and pre-Islamic) performance traditions in relation to theatre.